24th Lislea Drama Festival

The first performance in the 24th Lislea Drama Festival begins next Saturday evening at 8.30 in the local Community Centre.  Clanabogan Drama Circle of Tyrone presents ‘Far Off Fields’ by Lennox Robinson.  Nightly tickets are

 
On Sunday evening it is the Two Bridges Theatre Group from Derry.  This is an offshoot of the celebrated Playhouse Players and they present ‘Black Comedy’ by Peter Shaffer.  I believe the stage action reverses the normal dark/light situation (with players groping in the light and perfectly competent in its absence) and is a ‘black comedy’ in both senses of the phrase.
 
The third performance is on Wednesday 2 March when John Keyes (one-time director of Newry Arts Centre) presents his one-man biopic of the life of Michael MacLiammmoir.  He was a central figure in the development of the theatre in Ireland in the early and mid-twentieth century. It is entitled ‘The Importance of being Michael’.  This is not part of the competitive Festival.
 
Last year’s winners, the Creggan Drama Circle of Tyrone present ‘April Bright’ by Dermot Bolger on Saturday night week, 5th March.  That weekend’s performances is completed by Pomeroy Players (Tyrone) with Johnny Belinda by Elmer Harris.
 
The ever-popular Juno and the Paycock (Sean O’Casey) is presented by St Dympna’s Drama Society of Dromore (Tyrone) on Wednesday 9th March. 
 
The Festival concludes on Friday 11th March with the home side (Lislea Players) presenting Patrick Kavanagh’s Tarry Flynn.  A review of the latter will follow here.
 
The Adjudicator P. J. Croal will present the Awards Night on the following Friday evening, 12 March. 
 
You are urged to attend as many of the performances as possible.  It is always worthwhile.

Boys of Crossmaglen

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In the normal scheme of things, far removed from that two-word misnomer of the easily forgotten Pro-Consol Merlyn Rees – a slur I choose not to repeat! – South Armagh now struggles to return to that idyllic rural backwater it was of old, preserver of the best of our ancient customs that the Newry Journal extols. 

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Take your wee house too!

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Paddy and Bridget lived in a cottage high up on the far side of Slew Gullion and had few visitors.  It was raining cats and dogs the day the parish priest came to call.  He had one of them new-fangled umberella things to protect himself and he unfurled it to enter the narrow door of the house.


 Once inside, he put it up again and left it on the hearth to dry.

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Halliday’s Folly

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As stated on our Newry Workhouse series, Dessie McGennity’s family moved from the workhouse  to the castle above Chapel Street’s High Walk.  Des was only seven years old and remembers how frightening it could be.  On winter’s nights the wind howled ‘like a Banshee’ and made the shutters bang.  It was bitterly cold with the stone floors, walls and stairs.  There was an absence of heating and the outside toilet was ‘little more than a hole in the ground’. 

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Boat Street Rooneys, Carrs etc.

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John Rooney spoke of the spirit and of the craic that there was in the Boat Street where he grew up. 
 
‘Everyone helped one another in time of trouble or bereavement.  They also shared the joys of good times like weddings, Christenings, First Communions and Confirmation, Christmas and Easter.  All doors would lie open.  If someone overslept so that they would be late for work at the mill or factory, or on the docks of Albert Basin, then they were knocked up.  If a child came home complaining they had been given a thump by a teacher or another adult, then they would get another clout from their parents, for surely they deserved the first one!’

Read moreBoat Street Rooneys, Carrs etc.